“L’orée du matin” is the very edge of morning. Breakfast in bed on a September day, a tray set down on white sheets, light coming in flat and gold. We keep this one for Sunday, when getting up is optional.
Two textures share the picture — the crowded gold tray and the white linen around it. The tray is quick company; the sheets take patience, which is the rhythm we want from an evening.
Drawn and published by Jour Férié in Paris, then printed, cut and boxed in Romans-sur-Isère in the Drôme. The whole run stays in France.
We clear the table on a slow evening and leave it out for a few days. Edges first, then colour by colour, with the box lid used as the sorting tray.